There is a Latin proverb that translates to “all is hidden in numbers” in English. Additionally, HP Blavatsky asserted that number is the foundation of the manifested universe and that it underpins form.
Numerology’s underlying science has helped modern science gain an understanding of how nature functions. As in the macrocosm (universe), so in the microcosm (man and nature). “As above so below” is the hermetic proverb. The mathematical synchronization of color and music was initially articulated by Sir Isaac Newton, an English philosopher, and mathematician. He made the discovery that white light may be divided into a prism of seven different hues, each of which has a matching musical tone.
Even though every sickness has a distinct vibration, the treatment can also be determined by numbers. Years later, around 1985, a woman by the name of Karen Lee Abraham produced a tiny book titled “Healing by Numerology” that advanced the theory that certain vibrational rates of diseases correspond to them. She demonstrates how to create an illness chart and how to use numerology to select the most appropriate treatment.
Without becoming entangled in a fascinating web of the Kabbalah, the Hebrew alphabet, Biblical writings, ancient wisdom, and the past of the most well-known proponent of numbers, Pythagoras, it is impossible to trace the origins of numerology. Science is intertwined with myths and ideologies in this instance because understanding the subject without them is difficult.
Pythagoras was named Pythagoras in honor of Pythasis, the Oracle who foretold his birth and was born in Syria when his parents were traveling there. At the age of 56, he traveled to Crotona in southern Italy’s Greek-speaking region in 536 BC and founded the first university in history, a school that combined religious ceremonies with academic study. The secrets of number vibrations were among the many esoteric insights that Pythagoras shared in private talks. Uncommon knowledge holds that 600 years later, Jesus founded 5 schools of mystery, one of which is in Palestine. The students were taught occult mathematics, music, and astronomy, which Pythagoras thought of as the triangular foundation of all the arts and sciences.
Math, music, and astrology gave enormous weight to the number because it was a fundamental concept in all three fields. Pythagoras’ study of numbers was based on Kabbalistic concepts since it was thought that the science of numbers was the foundation of all things and that by understanding numbers, one could learn more about God.
We can see how numerology’s roots are entwined with ancient moral philosophy and wisdom, proving that it wasn’t merely an elevated way of thinking. It was founded on science. The Hebrew alphabet’s 22 letters were revered because they were thought to be endowed with divine qualities. Hermes, the wisest of all the wise men, who are known to the Jews as Enoch, to the Greeks as Hermes, and to the Romans as Mercury, is credited with creating letters in their present form. Since vowels were the living energy of words and their sound conveyed the genuine and overpowering name of God, they were regarded too sacred to record and were not included in the initial 22 letters. Instead, the seven known planets are given vowels.
The flame-like character known as YOD, which was used to create the consonants that made up the alphabet, indeed represents the flame as it is intended to be a spark of the divine light that makes up the body of God and is used for all of his creation. Some of God’s qualities can be found in each consonant.
The numbers in the Bible also have astrological significance. When the number 12 is employed as a number, it refers to the entire human species as well as all those born under the 12th sign of the Zodiac. The 10 numbers and 22 fundamental sounds that make up the letter combinations that make up God’s own name, along with the basic geometric figures of circle, triangle, and square, are thought to constitute the foundation of the Kabbalah, the figures that served as the inspiration for the alphabet.
The ancients had three conceptions of creation: the SEPHER YETZIRAH, the SEPHIROTH tree, and the TETRACTYS of Pythagoras.
The SEPHER YETZIRAH double star is depicted above with the letters English rather than Hebrew for clarity. SEPHIR means to ascertain. The Holy Trinity, the creative principle, is included in the double star’s central triangle.
The seven double letters in the central star stand for all that man can encounter, both good and terrible. The 10 Sephiroth, or characteristics of God, are those seven along with the first three.
The 12 short letters on the outside star stand in for the signs of the Zodiac.
The holy temple that supports everything, the middle triangle, is where God’s spirit resides.
He developed the three SEPHARIM—numbers, letters, and sounds—from this center.
Seven double letters are stored in the inner star. They stand for everything positive and negative that people experience in life. Each letter has a divine characteristic on one side and an extreme opposite on the other, like a balance board. He created the seven planets, seven days of the week, and seven apertures for the senses in both males and females out of these seven letters.
The 12 plain letters in the outer star represent the 12 fundamental characteristics. God created the 12 zodiac signs, 12 months of the year, and 12 primary organs in the human body using them.
God created all that exists by specifying the weights, quantities, and groupings of the 22 letters.
These three, known as KETHER the crown (will), CHOCHMA (knowledge), and BINAH (understanding and intelligence), make up the Holy Trinity or the creative principles 1, 2, and 3. The following 7 Sephiroth were created from this Trinity through the action of the word DAATH AND SPEWED FORWARD IN YOD, the receptacles. These were illuminated by AIN SOPH AUR’s light, which was focused in Kether.
Symbols come in a variety of forms. The fundamental Pythagorean premise “God geometrizes,” which points to the most basic and universal form, also reveals the numerological basis for all beginnings. Before everything else, we must consider the unmanifested everything, which in our imaginations must appear as an omnipotent power existing in forever.
And we enclose it with a circle that has no start or finish in order to imagine it.
We must consider this energy as having once held a drive or instinct for creation within itself even if we all know that God is and that we are. for this reason. It withdraws to a center, which we might symbolize with a dot inside the circle. The dot becomes 1, the initial flame unity, by stretching or lengthening itself.
The next step is division, or positioning a portion of oneself next to another, resulting in 2-duality.
Mother and father. The Son, the third element created by this union, is the third expression of the Trinity.
We create the triangle—the everlasting Trinity of father, mother, and son, the manifestation of creation—by adding a base to the conjoined 1 and 1.
The subsequent step-form, which we find in 4-boundary, follows expression.
The first material manifestation is this. opening of the triangle to create the square of the body, mind, soul, and spirit (4). Here, man learns his first lesson and begins to build his own foundation by battling the four elements. After achieving that, he is no longer satisfied with defending the square. He has reached 5-expansion and become conscious.
He takes away one of the square’s sides and starts exploring the perimeter. He is starting to notice how often the five symbols from which he emerged—the circle, dot, line, triangle, and square—are repeated. The five senses, five fingers, five toes, the original five planets, and five vowels are now present. The desire to find another start at this point as loneliness and a sense of incompleteness follow. He discovers Harmonization in 6-union.
The water triangle down below reflects the fire triangle up above.
On the opposite, the human being has fulfilled himself and has taken on the role of the creator. He looks within to analyze his own soul in order to find the connection, and it is through this that he learns the perfection-7 principle.
the seven planets, seven colors, and seven scale notes. However, he soon discovers that he still has some material chores to finish, therefore he must return in an 8-manifestation.
He completes his octave here. He constructs once more using a square, but this time, he is aware of the extent of all of its angles. Then, out of his fear that he may lose all the spiritual value he had discovered in number seven, and his desire to release himself from material worry, emerges number nine: universal love.
The triangle is squared to the two material squares while the triangle itself turns into a spectator. He’s finished his own cycle now. In 10, he returns to bring all things back to the source this time with the vision( 0 )zero ahead of his beginning(1). Return to unity.
